Categories
Fearless Self-Publishing Self-Publishing Writing Life

Fearless Self-Publishing Part 1: Every Keystroke Matters

This article is part of a series by Writing Bloc written to help indie authors put their best work forward when self-publishing.

Disappointment with ebook appearance? We’ve been there.

When Writing Bloc released our first anthology, Escape!, on January first, I couldn’t wait to download the ebook to my Kindle and read the finished product. We had worked hard and twenty different people pored over the manuscript to produce the final draft, so it was time to enjoy the fruits of our labor. When we uploaded the finished product to Draft2Digital and Amazon, we were confident and proud of what we had accomplished. So many eyes, so many corrections. The final product had to be perfect. I was beyond excited.

So imagine my surprise when the first story looked all wonky on my Kindle. The cover, copyright, and table of contents pages were all fine, but the manuscript was the bread and butter, and it just looked odd. The paragraphs all started at different places in their indentations. The line spacing felt strange. The quirks and problems in this “final product” were off enough to distract from immersion in the story. What had gone wrong?

via GIPHY

The problems weren’t even consistent throughout the book. Some stories came out perfectly aligned. Others only askew in a few places. Then the last story was just as jagged-looking as the first. Seeing as how we all spent months making this book gorgeous in its editing, I was frustrated with this digital publishing experience. And honestly, I blamed the format. I’m not the biggest fan of ebooks. I will read them, but generally I much prefer holding a printed book in my hand. As our next step was to format the paperback version (which is available now!), my concerns hit a fever pitch when approaching formatting. If a print book comes out looking strange, then you really can’t blame the medium of delivery unless the ink itself is smeared across the page. I combed through the manuscript as I prepared the print version, and soon enough, I found that the problem with the ebook wasn’t the technology at all, it was the way we told the technology the book should appear.

Look out for invisible problems

Writing in the modern age is much more than the words and letters you put on the page. It’s actually a little more musical than that, if you’d like to think of it that way. Music isn’t just the sounds, it’s also the silences. Writing in the digital age is definitely not just the words, it’s all the keystrokes. A few extra keystrokes caused our ebook to look off in many places. The problem is now solved, and after I solved it, I immediately thought I should share what I learned with the independent author community as soon as I could. Mostly because I’ve seen similar problems in other self-published manuscripts, and like so many other readers, I blamed the ebook itself. No matter who is receiving the blame, the end result is that the reader experience is worse for each and every error in a final product.

Specifically to Escape!, the problem was all the different styles of writing. We had twenty different authors from varying backgrounds contributing to the manuscript, and as it turned out, we had many different styles of starting a new line and indenting a paragraph. First, let me tell you the “right way”. If you can get into the habit of starting each new line of your story by simply pressing ENTER-TAB, then you will save yourself a ton of hassle down the road when you go to format your manuscript.

via GIPHY

This might seem like a silly thing to worry about, but it will turn out to be a big deal when publishing your book. Ebooks are just mindless computers displaying information exactly as they have been told. To your e-reader, all you have written is a series of keystrokes. It doesn’t really care about words or grammar. It’s been told to display something based on the information it’s been given, and hitting the space bar several times is different than one tap of the tab key. Pressing enter when you just want the same paragraph to continue on the next line means something completely different than just writing your sentences back to back.

Your published ebook is meant to be dynamic

Despite my distaste for ebooks, I realize their benefits. They have the ability to alter text sizes for different visual abilities. They can change the font for reader preference. Links to websites, blogs, and other works with which the author wishes to associate can be plugged directly into the script. Pictures can change placement and size depending on screen size. And the final product can be read on something as small as a cell phone and as large as a television screen. With print, what you see is what you get.

So when you’re producing the final manuscript for your ebook, remember that you aren’t actually giving your publishing program of choice your final product, you’re giving it the starting point for how you generally want your ebook to appear when readers open it. You don’t have control over what words will and will not wrap around a paragraph because you don’t know how large every reader will make your text appear. You don’t have control over how far your paragraphs indent because you don’t know how large of a screen each user will have. While formatting, you will have access to simulators (most often displayed as a “Preview” button) that will give you a general idea of what your final product will look like, but these simulators don’t cover everything. The best thing you can do is make your manuscript as clean and well structured with as few keystrokes as possible. Make sure your links work. Make sure your pictures are the right quality. These are things you have control over. But also make sure your paragraphs are consistent in their formatting. And keep it simple. ENTER for a new paragraph. TAB for an indent. One space in between sentences. Nothing more.

via GIPHY

Another good, sneaky double-check is to publish your ebook and not tell anyone. Then, download it yourself, or better yet, get a few beta readers with different e-readers to download it, and then search for errors in formatting that would distract your reader. If you find nothing, then congratulations! Tell the world about your ebook! If there are errors, go back and fix them, repeat the process with your betas downloading an updated ebook (by removing the old version from their device and downloading it again). Once it looks great, then you can go on selling your ebook with confidence.

The video below is a great place to start with how to format and upload your book to Amazon, as it points out a few tricks for keeping track of your keystrokes and spacing:

No matter what, take your time. No one becomes a bestseller overnight, so the publication day isn’t something to rush. We here at Writing Bloc want to make the indie publishing experience as great and painless as possible. In that spirit, we will continue this series, giving you any tips and tricks we’ve learned from our own experience and mistakes. Is there anything you need help with or have questions about? Let us know in the comments.

Thank you for reading!

Please share!
Categories
Software Review Writing Life

The Writerly App Is A Must-Have For Your Writer’s Toolkit

Like anything else, becoming a good writer requires practice. There are no rules for how to practice, but sometimes a little direction feels nice. Books and websites filled with writing prompts help, and there are contests and other challenges that are easily found as well, but far too many of these “services” cost money. I’ve thought for a while that it would be a great resource for writers to have something to inspire practice; an outside source of inspiration and challenge in order to build up those writing muscles.

Then I came across the Writerly App.

Writerly iPad.jpg

An App Custom Made For Creativity

The Writerly App is free and available for iPhone and iPad only at the moment, which is my only argument against the app. Otherwise, Writerly is a fresh take on writing assistance software. They are a self-advertised “one-stop source of inspiration and information to get your ideas flowing.” It was developed by award-winning fiction writers, creative writing instructors, and literary consultants. The app is filled to overflowing with prompts, information, and guidance for writers of any level of experience.

Writerly takes a fun approach toward developing your writing while using an educated background. The entire app is built on the concept of writers working with two fundamental elements during the writing process: Creativityand Craft. Creativity is the basic flow of ideas, the burst of inspiration, the transformation of thoughts into words. Craft is taking the work accomplished during the creativity phase and analyzing it, transforming it into a developed piece of writing that is more enjoyable to the readers. Writerly acknowledges this mental struggle between creator and editor in the writer’s mind.

By separating these concepts, Writerly aims to improve your writing by offering exercises, games, and quests in order to help stimulate your inner creator, and then offering other exercises to help you get the most out of your inner editor. The app blends these exercises together in order to get these two parts of your mind to cooperate, the result being an improvement in your ability to express those amazing story ideas you get on a daily basis.

Writerly Inspiration.jpg

Writerly is for everyone

There is no restriction on who would benefit from writerly. It is an open-ended app. The app does not offer a word processor, meaning it does not force you to be restricted. If you prefer to type in Word, you still can. If you prefer to use a beautiful fountain pen on expensive parchment, the app still works for you. It is intended to accompany your current preferred method of creation, not replace it.

Part of Writerly encourages you to abandon the keyboard in favor of pen and paper, and I find the reasoning interesting. The creators argue that our electronic devices connect us with other people on a constant basis. We are often interrupted by other things and other needs when we are using a phone or computer as a creation tool. Paper, they argue, allows us to have a direct and uninterrupted connection with our own thoughts. Additionally, electronic devices have delete buttons that are far too tempting to use during the creative process. Deletion is technically editing. By writing with pen and paper, the writer still has access to his or her “mistakes,” just in case they become useful later on. They call using the delete button “censoring your work in its early stages,” which is a painful yet glorious truth to learn. It makes me wonder what ideas I’ve errantly tossed aside while creating.

The creator’s request to use paper is quite specific, actually. They suggest getting three notebooks: one legal sized, one half that size, and one that can fit into your pocket. The large notebook is for ongoing projects, such as stories, projects, or all of your writerly exercises. The medium notebook is for notes and quick ideas, or even dreams and random thoughts. They recommend keeping this notebook at the bedside. The small notebook is so you don’t miss any random inspiration or fragments of ideas while away from your writing spot.

Give your storytelling an exercise routine

Writerly App is a free app with a noble cause: to inspire and hone the craft of writing in anyone interested. It is well organized, easy to use, and the information and exercises are supported by years of experience. I plan on using the app as often as possible, as it will only serve to make me better at my craft.

While on the subject of writing, I found this video on “The Mystery of Storytelling” to be quite enriching. It is told from the perspective of a literary agent. Enjoy:


Related Links:

Writerly on the App Store

Please share!
Categories
Software Review Writing Life

Why I Love Using The Hemingway Editor App

We all need an editor. Sure, asking friends or family can help, but sometimes you need an impartial set of eyes to look over your work. Having someone else to catch those simple errors or mistakes in flow is necessary for any writer. Many apps have arrived online over the past few years to help. A mainstay has been the Hemingway App, and with good reason.

The homepage of hemingwayapp.com greets you with beautiful simplicity. Everything the app does is explained in neat text on one screen. Read everything there, and you know how to use the app. Proceed, and begin editing.

Hemingway Keeps it Simple

At its core, the Hemingway App is a simple word processor. You can turn off all its editing tools by clicking on “write” in the upper right-hand corner. Once you do, the app gives you a simple distraction-free place to compose. Simple formatting tools line up across the top of the screen, and the composition area is in the center. The simplest options are the only ones available, though. No extensive font choices, no limitless point sizes, no colors. If you want more extensive for your writing process, you are welcome to copy and paste the text from any other file. Once you do, though, your text will revert to Hemingway’s font and size. This may annoy you, but it shouldn’t. The editing process is about the words, not the frills. You can reinsert all the fancy stuff after you pass through this process.

Once you finish writing, no matter where you do it, it is time to click on the “edit” button in the upper right-hand corner of the screen. This will engage the real power of the Hemingway App.

Screen Shot 2017-02-06 at 9.51.47 PM.jpg

The Power of Editing Mode

With editing mode engaged, your text becomes colorful, and a stats bar appears on the right side. This area of the screen displays the value of the app. The first thing you see is the “readability” of your writing, measured in grade level. This is based upon sentence structure and level of vocabulary used. Contrary to what you might think, the lower the grade level, the better. Ernest Hemingway’s own writing and books have been analyzed, and the consensus is that his most popular works are at a 4th to 6th grade reading level.

Why is this important? Why not try to make your writing be at a 12th grade level? The answer lies in your audience. Just because you are writing at a simpler level to read does not mean that your message has to be simplified. For example, why say “I am attracted to you in such a manner that is virtually unidentifiable in description other than to say that I feel this way toward no other human being on this or any other planet in the universe, past or present,” when you can say “I love you”? Keep it simple. If more people can understand your writing, then more people will read your writing. It’s as simple as that. The app only gives you a warning when your writing is at the 12th grade level, which should be reserved for academic papers.

A Plethora of Useful Stats

Below the readability analysis, a drop-down box of basic stats appears. This gives you facts about your writing that you may or may not find useful. If you do not find these stats useful, everything but the word count can be hidden from view.

Below the stats area is the bread and butter of the Hemingway App. A legend of five colors appears, corresponding to the highlighted portions of your writing. These are five important areas to focus on when reviewing and editing. The app can discover adverbs, use of passive voice, phrases or words with simpler alternatives, hard to read sentences, and very hard to read sentences. These areas are highlighted in your text, and the color-coded boxes on the right display statistics with suggestions inside.

For example, the app is not telling you to cut all adverbs, but it will suggest that you bring your count of adverbs down below a certain number relative to the length of your writing. Sometimes, the app misses things. Other times, the app highlights words that end in “ly” that are not adjectives. It’s not quite perfect, but it catches at least 95% of these typical problems in writing.

New 2.jpg

You Still Have Control

The app will not correct things for you. You still have to do the work, which is how it should be. It will suggest simpler alternatives for the words and phrases highlighted in purple, but that is the most direct way in which the app will intervene. Whether to take the app’s advice is completely up to the writer. But chances are, you will perform many edits based upon the Hemingway App’s suggestions.

The app can handle a tremendous amount of script, too. I’ve copied and pasted up to 75,000 words of text into the editor and it analyzed it in seconds. Quite impressive.

The online app is free to use, as well. The only drawback is that it will not save your work. To get that feature, you can buy the desktop version of the app, which goes for $19.99 and works for both Mac and PC. The desktop app comes with many benefits, including the ability to import and export to and from the most popular types of text files. Also, the app now has the option to publish your writing directly to your account on either Medium or WordPress.

With its simplicity and power, I find the Hemingway App to be an essential tool in my writing arsenal.

Here are before and after shots of this very article, as I used the Hemingway App to edit it:


Before

 


After

If you’re curious to learn more, here is an incredible video about Hemingway’s style and how it influenced the creation of the Hemingway App:

Related Links:

Hemingway editor App

Please share!
Categories
Writing Life

Writing Bloc’s New Year’s 2019 Writing Resolutions

It’s a new year, and at Writing Bloc we’re taking the opportunity to set some intentions for 2019, both as a group and individually as writers. Expect Writing Bloc to grow throughout the year as we continue to find additional ways to support the writing community. We checked in with a few of our contributors on what their goals are for 2019. Also, don’t forget to check out Becca’s Writers as Readers Challenge.

Becca’s 2019 Writing Resolutions

My writing resolutions are to finish the edits for Rock of Ages, do a second draft of my second novel or draft a third, and read– a lot. The edits bit is hard since it depends on pleasing someone else. It’s not something entirely in my control. And I know it will be hard to pull myself away from RoA to focus on something else but I’m sure it will also be refreshing. I learned last year how important keeping up my reading habit is for improving my writing, and I’m upping my goal to 24 books this year.
Having three big goals is a bit overwhelming, so I’m really just pushing myself to work every day, even if it’s just a little bit. I think (and hope) that if I just keep going, I’ll get to everything.

Cari’s 2019 Writing Resolutions

At the end of 2018, I learned that my adjunct professor gig for spring 2019 was going to a doctoral student. While I hope to be teaching again in the summer or fall, I’m trying to look at this as an unexpected gift of time. I am on my third draft of How to Remember, and I’d like to turn that in during the first quarter of the year. I’m also finishing the first draft of my second novel, The Enigma Variations. I signed up for a “Book in a Week” challenge – actually, that’s next week! So we’ll see how many words I can knock out then. I’m looking forward to editing another anthology with Writing Bloc as well. On a personal note – I’m kind of a workaholic, with a plate that’s more than full most days. My goal is to be easier on myself this year, leaving some space for discovery and wonder.

Jacqui’s 2019 Writing Resolutions

2018 was a big year for me as a writer. My first novel The Seclusion hit shelves, I completed NaNoWriMo in November, I started co-hosing WordPlay Radio in Asheville NC, and I teamed up with five of the most authentic, amazing people I’ve ever met to play a hand in starting Writing Bloc.  From beginning to end, 2018 felt like a whirlwind. A positive whirlwind, but still one that left me struggling to remember what routine looks like. In 2019 I would like to slow down, and bring more intention to my writing. I am going to aim to read every day for ten to twenty minutes before I begin to write, and write by hand every day. I’m easily distracted…. sorry let me log off of twitter here and finish this thought…. and I find that when I write by hand the words flow more easily. On a personal note, I’m also going to strive to cut down on the whole caffeine addiction thing.

Michael’s 2019 Writing Resolutions

After allowing myself a good reflection on 2018, I realized that it was an enormous year that started with struggles but finished strong (I’ve detailed it somewhat in my most recent blog post). The reason I finished strong was thanks to gathering a great group of positive friends and influences around me with Writing Bloc. Thus, my first resolution is to keep that momentum going. I will stay heavily involved in Writing Bloc and push this thing to be as big and helpful to other writers as I can make it. Of course, my major writing goal is to finish my novel, The Man Who Stole The World, and I’m pushing myself with that already. Otherwise, I will continue to read a ton, write even more, and push away the negative. 2019 will be a great year, I have no doubt.

Please share!
Categories
Lists Software Review Writing Life

How Learning Another Language Will Improve Your Writing

Want to improve your writing? Learn another language!

I know. You might be saying, “But…writing in English is hard enough. Why would I waste my time with any other language?”

It’s simple, really. Writing, as with any intense activity, is best performed after a good warm up. Your brain is about to produce a story, poem, or anything else creative from scratch. Your fingers need to warm up, your mind needs to get into writing mode, and your body needs to get used to whatever position it will stay in over the next few minutes…or hours.

I find it best not to launch right into my story or main project immediately after sitting down to write. It feels heavier and more like a chore if I don’t warm up with another activity first. Personally, I am focused on writing a novel, and I used to warm up with a quick poem or limerick – something to get the fingers moving across the keyboard and get my mind in the mood.

But now I’ve found that studying a language before writing is an excellent way to become a better writer, and here are nine reasons why:

1) It’s free.

There is a remarkable program online called DuoLingo. It is a completely free website for learning another language. Once you create an account, you can study anywhere at any time, as there is also a free mobile app. The languages offered include Spanish, German, French, Welsh, Russian, and a constantly grow number of other language courses. Users can even contribute to the construction of these courses (which is exactly why they have a Klingon course!) Each language course is packed with skills for individual practice, including writing, translating, and pronunciation (with your microphone on your computer or mobile device active). DuoLingo also offers comprehensive quizzes, immersion projects for translating articles on the internet, community clubs, and an extremely user-friendly interface.

duolingo mobile app interface, three screens

2) It will challenge your perspective on language.

Nvidia StoreWhat makes writing interesting and beautiful is how each individual author manipulates language. The rules of the English language can often seem restrictive. But after playing around with the different verb tenses and sentence formations of another language, your mind begins to accept the fact that there are nearly endless ways to express yourself. Plus, while learning another language, you begin to find the words that are similar between tongues, giving your brain quicker access to synonyms and other descriptors you might not have thought about otherwise. In a similar vein, some words are so completely different in other languages that seeing and hearing a simple sentence become something 100% new will challenge your brain to rethink the basics. Never let go of your appreciation for simpler words and phrases.

3) It will demonstrate new rhythms of speaking.

Rhythm is important in writing. If the cadence is too dull or repetitive in your work, then the reader will become bored and lose focus. Making the words flow in a pattern that is pleasing to read is a talent that must be honed in order to become a quality writer. Each language has its own natural rhythm and tonal structure, and learning another language is similar to learning an old song on a brand new instrument. Everything is suddenly brand new.

4) It doesn’t have to be difficult.

With DuoLingo, the lessons are already set out for you. You just open up the program and click on whatever skill you want to either learn or improve upon. The interface is extremely user friendly, and they have rewards and achievements to keep you motivated along the way.

5) It will train your fingers to rethink the keyboard.

This seems silly to say if you are a proficient typist, however, all skills have room for improvement. Typing letters in different arrangements with new punctuation and capitalization is a good way to make typing in your native tongue seem effortless. Face it, once you’ve mastered putting um lauts and tildes in their proper places, then typing a simple English language story will become all the more simple to do.

6) You will gain new perspective on old idioms and proverbs.

Every part of the world has a different perspective, of course. As a writer, understanding other perspectives is invaluable. When learning another language, you start understanding another culture’s perspective as you decipher their sentence structure and word choice. It’s quite fun, actually. For example, in Spanish, “Let bygones be bygones” is said colloquially as “Borrón y cuenta nueva,” which is closer to “clearance and new account.” Interesting, right?

7) It will improve your awareness of your own language.

The skills in DuoLingo are separated mostly into the the different existing parts of speech. Because of these divisions, the user gains an increased awareness of the different parts of speech of their own language. With skill divisions such as determiners, participles, future perfect tense, and modal verbs, the user indirectly gets lessons regarding the many pieces and parts that make up the English language as well.

8) It opens up the world.

As a writer, keeping an awareness and an appreciation for multiple perspectives is imperative. Language is the basis for all communication, and communication is the basis of world interpretation. When creating characters for a story, each character must have their own voice, background, and perspective in order to seem genuine. Learning another language is an excellent exercise in perspective that is not offered any other way.

9) You will learn another language.

With time and dedicated study, you might actually find yourself being able to communicate with millions of other people around the world. Americans are particularly bad about expecting everyone else to know how to speak their own language, and American writers could benefit from the loss of a comfort zone that comes with speaking in another language. As a writer, you should feel comfortable with words. To help this, try replacing your set of vocabulary with a completely different set. I’m betting that once you start, you’ll enjoy the challenge.

The video below introduces DuoLingo, for those who are interested.

Related link:

http://www.duolingo.com

Please share!
Categories
Software Review Writing Life

Review of Flowstate: “The Most Dangerous Writing App”

Writing and editing are two different things.

Writing itself should be a simple task. All you have to do is put one word after the other, form sentences, form ideas, and make everything you’ve done come together into one great work that is sure to express your heart and soul exactly as you intended. But that’s not really writing. That’s writing and editing put together. 

With all of the details, heart, emotion, ideals, characters, love, and everything in between that is invested in even the simplest of fiction pieces, sometimes the task of writing can feel so insurmountable that simply getting started can seem impossible. Other times, continuing an idea that has already been started is even more difficult. 

Some enjoy calling these difficulties “writer’s block,” and most proposed solutions involve doing things other than simply writing. What keeps those first few words, no matter how flawed they may be, from flowing onto the page is simple doubt. Doubt is the writer’s worst enemy; however, doubt is simply a large amount of misplaced energy. If the writer could take the energy being put into doubt and convert it into an outrageous stream of productivity, then that would be something. 

Getting the words out is the only true form of writing. You are either writing or you are not. If you are unable to write because you want the words to be perfect right out of the gate, then you are trying to write and edit simultaneously, and this can cause writer’s block, a lack of productivity, and doubt. Staring that blank page down and allowing doubt to wash over you prevents the all too essential first draft from being born. If only there were a way to force a writer to quit stalling and dish out that first draft without looking back…


Enter Flowstate.

Most writers might think it insane to use an app that erases everything you have written if you stop writing for five seconds. And at its core, that’s all Flowstate does.
That’s right: Everything you’ve written, no matter how long you’ve been writing for, gets permanently erased if you stop writing in Flowstate.

It might be disguised in what sounds to be an evil premise, but I maintain that Flowstate is the first draft’s best friend.

Flowstate is simple in both its layout and its function. Basically, it’s a basic, yet beautifully sleek, word processor. The program gives you five fonts to pick from and a blank page. No other frills or distractions. What makes Flowstate unique and, in my opinion, wonderful, is that there is only one other main function you must choose prior to writing a document: how long you will be writing for. The timing starts at five minutes and goes for as long as 180 minutes (for the truly crazy ones out there). So once you title your document, pick a font and a time, you are ready to go.

Simple setup, horrifying premise, but great results.

Flowstate gives you a blank page with the time you’ve chosen in the upper right corner. As soon as you begin writing, the timer begins counting down. Type away as quickly or slowly as you’d like, but if you stop making keystrokes, your entire document begins to fade away and will disappear completely if you do not press a key within five seconds. Let five seconds run out, and all of your work is gone. There’s no safety net, no autosave. It’s just gone. Forever.

Why would anyone in their right mind do such a thing? Because it’s brilliant. Do you need to write and you keep putting it off? Do you need to complete your first draft but you keep questioning your story? Are you easily distracted when you should be writing? Well, then Flowstate has a tremendously effective answer. As opposed to other software that simply attempts to block out distractions, Flowstate directly threatens your progress should you not keep going and get to your work. It forces you to focus by holding your work hostage. 

You earn the right to save and edit.

Once the timer runs out you can continue typing, knowing that all of your hard work will (thankfully!) be saved. You can then return to it and edit it, or export your work to another format altogether. Go on, you’ve earned it. 

Although being threatened while being creative might not be for everyone, I find it to be exhilarating. If I only have ten minutes to write, then I can set my timer in Flowstate and know that I will use that ten minutes to its fullest. 

The app is available in the Apple Mac Store for $9.99 or in the App Store for $4.99, and both apps synchronize together over the iCloud so you can edit any of your drafts anywhere. While $5-$10 can seem like a bit of money for a simple app, you are making an investment in your creativity that can certainly payoff quickly and change what you thought you knew about your writing process. 

Here is a helpful video that shows how the app basically works:



Related Links:

Please share!
Categories
Anthology News News

Meet the Authors Behind Writing Bloc’s Escape! An Anthology

Cover for Escape! An Anthology by The Writing Bloc

Writing Bloc’s Escape! An Anthology is available for preorder now for your favorite ebook format (the Kindle link is separate, just click here)! The ebook is only $2.99 during this preorder phase, which is a steal for all of the stories you get from the amazing authors below. On New Year’s Day, the price goes up to $5.99, so grab your ebook today! Be sure to check out all of the author bios below, visit their sites, preorder Escape! An Anthology, and get the book to download automatically to your e-reader on New Year’s Day! Keep your eye out for the upcoming announcement about the print version…details coming soon!

For now, cheers to all these wonderful authors for their contributions to this amazing collection of short stories!

Jason Pomerance, Author of “Mrs. Ravenstein”

Photo Credit: Steven Murashige

Jason Pomerance has written film and television projects for numerous studios and production companies, including Warner Brothers, Columbia Pictures, FremantleMedia, and Gold Circle Films. His first novel, Women Like Us, published by the Quill imprint of Inkshares, debuted in 2016, and his novella Falconer was published in four parts on Nikki Finke’s site for showbiz fiction, Hollywood Dementia. He’s currently working on a new novel. Visit Jason at www.jasonpomerance.com, or on Instagram (@whowantsdinner), and Twitter (@whowantsdinner — and yes, Jason is always hungry!).

Jason’s “Women Like Us” on Facebook: https://www.facebook.com/womenlikeusnovel/

Buy Women Like Us in our store!

Susan Hamilton, Author of “Chrysalis”

Photo Credit: Dean Cerrati Photography

Susan K. Hamilton is the author of Shadow King, Darkstar Rising, and the forthcoming The Devil Inside. She lives outside of Boston with her husband, Jeff, and their cat, Rio. An avid equestrian, when she’s not tapping away at a computer, chances are you’ll find her at the barn. She loves fun movies, pizza, and pretty much any furry creature on the planet, and is currently working on a new, follow-up project to Shadow King.

Susan Hamilton on Twitter: https://twitter.com/RealSKHamilton

Susan Hamilton on Facebook: https://www.facebook.com/hamiltonsusank/

Michael Haase, Author of “Cedric”

Photo Credit: Margaret Haase

Michael Haase is the author of the forthcoming book, The Man Who Stole the World, to be published by Inkshares. Michael is a happy husband, father, musician, and spontaneous comedian who does nerdy stuff like study computer programming in his spare time. He lives intentionally near Cleveland, believe it or not

Michael Haase on Twitter: https://twitter.com/authormikehaase

Michael Haase on Facebook: https://www.facebook.com/AuthorMichaelHaase/

Michael’s blog: https://talltalestold.com/

 

 

Peter Ryan, Author of “The Time Behind Dying”

Photo Credit: Neil Cole

Peter Ryan is a sci-fi lover, motorbike rider, darts player, and T-shirt designer, as well as being an English professor at a university in South Korea. He grew up in Perth, Western Australia, and has traveled much of the world. While on the move, he has done a variety of jobs, including sales support at an insurance company, laborer on the building sites of London and Melbourne, chauffeur/minder for an English lord, and business English consultant in Shanghai.

Peter Ryan on Twitter: https://twitter.com/SyncCityJack

Peter Ryan’s website: http://www.synccityjack.com/

Buy Sync City in our store!

 

Deborah Munro, Author of “Ambition”

Deborah Munro is a scientist and biomedical engineer from Oregon who recently expatriated to New Zealand. She is passionate about writing, especially hard science thrillers that engage readers on current issues.

Deborah Munro on Twitter: https://twitter.com/DebMunro_Author

Deborah Munro on Facebook: https://www.facebook.com/DeborahMunro.Author/

 

Durena Burns, Author of “I Wish It Happened”

Durena Burns currently lives in Southern California and has worked for special education in elementary. She mostly writes biographical stories about her family. Her first published book ‘Call Me Whitehead’ is about her late uncle’s experiences as a black man in the Vietnam War.

Durena’s “Call Me Whitehead” on Facebook: https://www.facebook.com/CallMeWhitehead/

Ferd Crôtte, Author of “Captiveedom”

Ferd Crôtte is an Internal Medicine hospitalist physician and is the author of ‘Captiveedom’ in this anthology. His debut novel, Mission 51, is currently in production by Inkshares. Ferd and his wife Gail live in Winston-Salem, North Carolina.

Ferd Crôtte on Twitter: https://twitter.com/FerdCrotte

Ferd Crôtte on Facebook: https://www.facebook.com/FerdCrotteMission51/?ref=br_rs

Christopher Lee, Author of “The Gilded Tower”

Photo Credit: Stacey Eichenauer

Christopher Lee is the independent author of Nemeton and Bard Song. Outside of his gig as an author, he is an avid history buff, amateur mythologist, bardic poet, Holistic Life Coach, Reiki Master/Teacher, Mindfulness Practitioner, and keeper of the old ways.

Christopher lives in Denver, Colorado with his wife and two cats.

Christopher Lee on Twitter: https://twitter.com/ChristLeeEich

Buy Nemeton: The Trial of Calas in our store!

Mike Donald, Author of “Something In Mind”

Mike worked for the BBC as a sound mixer, wrote for comedy sketch shows, and developed sit-com ideas. Brought up in Scotland and England, he worked as a script analyst for gap finance company Aramid Capital, and has written many award-winning screenplays.

Mike Donald on Twitter: https://twitter.com/smokingkeys

Mike Donald’s website: http://www.touchwoodpictures.com/

Buy Louisiana Blood in our store!

 

Christopher Hinkle, Author of “Cowboy For A Day”

Born in the backwoods of West Virginia, Chris Hinkle is a country boy down to his molecular structure. He now lives in New Zealand where he works for the Government and puts forth a reasonable effort at masking his inner-hick for the benefit of those around him.

Christopher Hinkle on Facebook: https://www.facebook.com/christopherhenckel

 

 

Evan Graham, Author of “Breach”

Photo Credit: Plain Jane Photography

Evan Graham is the author of upcoming science fiction thrillers Tantalus Depths and Proteus. He has a Bachelor’s degree in Education Studies from Kent State University, where he triple-minored in English, Writing, and Theatre. He currently lives in rural Middlefield, Ohio and is extensively involved in local community theatre, both on the stage and behind the scenes.

Evan Graham on Facebook: https://www.facebook.com/AuthorEvanGraham/

Tahani Nelson, Author of “The Faoii Of Ashwood”

Tahani Nelson is a Writer, Teacher and Nerd in rural Montana. Her debut series, The Faoii Chronicles focuses on strong female warriors in epic fantasy.

Tahani Nelson on Twitter: https://twitter.com/TahaniNelson

Tahani’s “The Last Faoii” on Facebook: https://www.facebook.com/TheLastFaoii/

Buy The Last Faoii in our store!

 

 

Michael James Welch, Author of “Convict 45”

Photo Credit: Annette Sargent

Michael James Welch is a proud Western New Yorker, an even prouder snowflake, and above all, husband and father to a wonderful family. His first novel, PrOOF, will be published by Inkshares in 2019-20. He feasts on your derision and bathes nightly in your disdain.

Michael James Welch on Twitter: https://twitter.com/mikexwelch

 

Cari Dubiel, Author of “Art Imitates”

Photo Credit: Ed Dubiel

Cari Dubiel juggles writing, librarian-ing, mom-ing, and bassooning in Northeast Ohio. Her novel, How to Remember, is in production with Inkshares. She is a past Library Liaison to Sisters in Crime and the co-host of the ABC Book Reviews Podcast.

Cari Dubiel on Twitter: https://twitter.com/caridubiel

Cari Dubiel on Facebook: https://www.facebook.com/caridubielauthor/

Becca Spence Dobias, Author of “Aspirant”

Photo Credit: Linda Abbott Photography

Becca Spence Dobias grew up in West Virginia and now lives in Southern California where she writes hard and moms harder. Her debut novel, Rock of Ages, is in production with Inkshares.

Becca Spence Dobias on Twitter: https://twitter.com/totallynotbex

Becca Spence Dobias on Facebook: https://www.facebook.com/BeccaSpenceDobias/

 

 

 

 

Grace Marshall, Author of “The Marking”

Grace Marshall is an author, mother, and TV enthusiast. She writes technical documentation as her primary profession but has also been known to post randomly on her site escapeoftheinnermonlogue.com.

 

 

 

 

 

 

Daniel Lee, Author of “A Grave Ordeal”

Photo Credit: Megan Annis

Daniel Lee is the author of the novel AFTER DEATH, which won First Place in the Nerdist Sci-Fi Contest and is forthcoming from Inkshares. He lives in Los Angeles, where he makes his living as an editor of movie trailers. See more of his work at Dan-Lee.net

Daniel Lee on Twitter: https://twitter.com/dannyboylee

Patrick Edwards, Author of “Wendell, Wendell, & Wendell”

When he’s not busy mushing words into silly stories, Pat spends his time battling inter-dimensional shadow monsters and having tea parties with his two daughters. His debut novel, Space Tripping, is currently available wherever books are sold. Check him out on Twitter @ThePatEdwards

Buy Space Tripping in our store!

 

 

Kendra Namednil, Author of “Catching”

Photo Credit: Arthur Koch

Kendra Namednil was born in Northern California and began writing when she was 26, publishing her first full novel at 30. She has volunteered for many organizations, though her greatest joy was working with behavior-plan dogs with the San Francisco Society for the Prevention of Cruelty to Animals.

Kendra Namednil on Twitter: https://twitter.com/Kendra1337

Buy Borehole Bazaar (A Vow Unbroken) in our store!

Jason Chestnut, Author of “Like Clockwork”

When not working on computers to pay the bills, Jason Chestnut is a writer, musician, avid reader, and gamer. He lives in Asheville, North Carolina with his wife Shannon, their two kids and lazy pug.

Follow Jason Chestnut on Twitter: @atomicboywonder

 

 

 

 

Don’t forget to preorder “Escape!” NOW!

Price goes up to $5.99 on New Year’s Day, so preorder your copy NOW for 50% off!

Just click here for Amazon or here for all other ebook readers. Only $2.99 for the ebook!

Thank you for your support!!!

Please share!
Categories
Writing Life

Take the Money! Graciously Accepting Payment for Your Work

On Thursday, I spoke at a NaNoWriMo kickoff event hosted by the wonderful nonprofit, Inlandia Institute. People seemed to enjoy the workshop and I met some nice people! Afterward, I was surprised and humbled when Inlandia presented me with an honorarium. As a former board member of the organization, I guess I knew in the back of my mind that this was procedure. I just hadn’t thought it applied to me. Honorariums are for real writers, I thought. Professionals. I don’t have enough experience. I wanted to do the event. It was fun for me and a nice way to get my name out there. I didn’t think I deserved it.

                                

I toyed with the idea of just giving the money back. It was so nice, though– I spent money on my Rock of Ages campaign, and this was a way to recoup. I won’t get any royalties for the book until after it’s published, and I won’t get any for the 750 preorders I had to get to have it published. I could definitely use the money.

Eventually I realized I should keep the money, at least a good portion of it, and I shouldn’t feel guilty about it. I’m giving 10% back to Inlandia because I so value the work they do and I want them to know that. If you are lucky enough to get something like this honorarium for sharing your creative work, here’s why you should stop feeling guilty too:

  • Accepting money for writing, or for teaching people about writing, sends the message that writing is valuable. Stories enrich our lives.
  • Writers do so much work that is not paid. As I mentioned, I put money into my crowdfunding campaign. I don’t get paid to blog or send out newsletters. I don’t get paid to write the 1000ish words a day that I usually do. Getting paid occasionally for something isn’t just payment for that workshop or story or whatever. It’s payment, and validation, for that workshop or story and all the unpaid work you do. It’s a gesture from the person or organization paying you that they value all the creative work you do and how it enriches the world.
  • Just because you like doing something does not mean you shouldn’t get paid for it. Really, we know this, but sometimes think it doesn’t apply to us. If you do something because you want to, and then you get money for it, celebrate! That’s amazing!
  • You deserve it! Thinking you don’t is just another nasty way imposter syndrome tries to talk to writers. Whoever gave you the money thinks you deserved it. Believe them!

So send a sincere letter of thanks. Be grateful and gracious. And then keep creating!

 

Please share!
Categories
Writing Life

So You’re a NaNoWriMo Revision Rebel?

Though you’ve likely heard of NaNoWriMo, you may not know about NaNo Rebels. These are writers who participate in the month-long writing marathon, but don’t follow the rules. They may write essays or nonfiction instead of novels, they may set a word count other than 50,000. They may work on more than one project at once. Or they may revise instead of writing something new. Since I’m knee-deep in the edits for Rock of Ages, if I participate in NaNoWrimo this November, it will be as a rebel. I love the excitement of the month and the tools the program offers, but other than posts on the site’s forums and a few blog posts, I haven’t found tons of resources for participating as a rebel. If you’re planning to use the month to revise, read on for my plan.

Using the Word Tracker

This is the main topic of discussion amongst revision rebels. How do you translate 50,000 words into editing? People tend to do one of a few things:

  • Words processed- Count each word of your old manuscript that you go through
  • Words in the new version- Count the words in your revised work, even if some are copied and pasted or only changed a little bit. These first two are useful if you’re working on a new vomit draft.
  • Daily work- Some people aim to work on their revisions each day for the month. Each day you work, add 1667 words to your count.
  • Time- 1 hour= 500 words, 1 hour= 1000 words, 1 hour= 1667 words, etc. Since I’m trying to slow down and be more deliberate for this draft, this is likely the way I’ll go, though I haven’t decided my time to words ratio yet. A bonus to using this method is that you can count things like research toward your goal. It also leaves room to go over the same passage multiple times without hindering your word count.

Word Sprints

Word sprints are one of the most helpful tools for me when I’m aiming for quantity. These timed sprints often take place on Twitter, but you can do them with a writing friend, too! They help you circumvent your inner editor and get the words flowing. If you’re trying to summon your inner editor, though, you don’t want to suppress her. Here are some ways to harness the energy of a word sprint if you’re revising:

  • If you’re counting words processed or words in your new version, go ahead and race! You can always go back and edit your edits whe the sprint is done.
  • Use it as a focus tool. Ban yourself from looking at or doing anything else for the five, ten, or twenty minutes of the sprint. Even if you just sit there staring at your manuscript, don’t give in to distraction for the set amount of time. Maybe you’ll get something done, or maybe you’ll give your brain enough of a rest that you’ll be able to focus more afterwards.
  • Use it as a break. Give yourself the time of the sprint to work on something new or to do some stream of consciousness writing. You won’t feel guilty that you aren’t getting your revision done because, hey, it’s just a few minutes, and the excitement of writing will likely re-energize you when you return to your draft.
  • Use it for character or world building work. Use the time to write freely about a character’s arc, a scene from their childhood, or a discussion between two of your characters. Write a scene from your world that isn’t in the book. Describe how part of it looks, feels, smells, sounds, and tastes. Write one of your scenes without people. Write one from a different character’s point of view. All of this will help you shape your actual manuscript even if it doesn’t end up in the final version of your book.

Rejoice, Rebel!

Don’t feel guilty about being a revision rebel. NaNoWriMo is a tool to help with your writing. If it’s working for you, then you’re participating, even if you aren’t doing the classic 50,000 new words in 30 days. One of the best parts is the community! So gather your friends, attend a write in, enjoy the forums and the Twitter chat. Sense the buzz in the air that is the worldwide writing community feeling motivated and excited. Happy Almost NaNoWriMo!

Please share!
Categories
Writing Life

Why You Should Not Write a Novel for NaNoWriMo

NaNoWriMo is Coming!

NaNoWriMo is an event that keeps getting larger and more popular each and every year. And it’s no wonder. There’s something romantic and wonderful about writing a novel. Most of the times I’ve told people that I’ve written novels, the conversation inevitably turns toward how they have an idea for a novel as well, if only they had the time to write it. And it’s true that the writer’s greatest enemy is making the time to write. Writing a novel takes creativity, persistence, timing, and commitment.
Enter NaNoWriMo. Every November, this worldwide event opens its doors to allow a seemingly endless community to gather online and support one another as they trudge their way through an average of 1,667 words per day, hopefully crossing that finish line of 50,000 words. After that, it’s official: you’ve written a novel. What a great feeling. Mission accomplished.
Except, every year, the same problem keeps arising. Only about 10% of those who sign up for NaNoWriMo actually cross that 50,000 word mark and “win.” So what happens? Why are nearly 90% of potential novelists “losing” NaNoWriMo? I’d say it’s because of one great problem: writing a novel is quite difficult.

Why do writers fail NaNoWriMo?

Of the people I’ve spoken to who have tried and failed, the reasons they have failed have been either one of two things: 1) they did not actually have the time, or 2) they got caught up in a snag in their story and quit, because there was no way to finish after running into such a block in progress. Perhaps these are common problems, the excuses of the 90%. If so, then I’d like to do something to correct this, because getting a “win” during NaNoWriMo is a personal accomplishment. There’s no reason why every single person with the urge to write shouldn’t be able to cross that finish line and get the “win.” So, let’s address these two major problems that keep people from winning.
First, if you do not actually make the time to write, then you will not be able to write. That sounds silly to say because it’s obvious. Of course, things happen that we cannot foresee that steal our time. If any of these things happen while you are on your way toward 50,000 words, then forgive yourself. But keep your head up and keep moving. However, if nothing out of the ordinary happens during your month and you simply do not make the time to write, then perhaps your heart wasn’t in your material to begin with. But this also does not mean you should quit.
If your difficulty in finishing falls under the second category, that you reach a snag in your story, then you are hardly alone. Actually, you are in great company, because just about every writer I know hits several points during the process of writing in which the words simply do not come. Carrying a story across a few hundred pages is no easy task, and even without writing, most of us experience plenty of self-doubt within a month’s time. So, what is a writer to do with such great odds against them but a drive to finish something as great as a novel?

Don’t Write a Novel

My solution: don’t worry about the “No” in NaNoWriMo. The novel part is sitting there, just telling you “No” right in the title. If you’re struggling to produce the word count this November, then just forget all about the novel. Make it National Writing Month. Write about anything.
Write down your own stories. Write poetry. Write lyrics. Write down everything you know about any subject you consider yourself an expert in. Write a series of love letters. Write down a list of everything you want to accomplish between now and next November. Write down everything you ever wanted to say to someone but never had the courage to. Write about your favorite day ever from top to bottom, with as much sensory detail as possible. Write a long-winded explanation of why people who eat pickled herring are wrong for doing so. Write down a collection of all of the great recipes in your family. Write about all of the above.
You get the point.

Just write!

Whether a lack of time or a problem in your story is your excuse for not finishing, I believe that the real problem is the novel. It’s difficult to write a novel, to commit that amount of time to creating, developing, and finishing a story that was born of your own imagination. There’s plenty of self-doubt to get over and commitment to make in order to cross that finish line.
I’ve “won” NaNoWriMo for the past few years, and it has yet to produce a grand career as a novelist for me. I write a novel because I love writing stories. I’m driven toward writing stories. When I’m deep into NaNoWriMo, I’m getting up at 5am and writing until everyone else wakes up. And then I’m sneaking off to write little bits here and there until I’m either too tired to write or otherwise committed. It takes a lot of energy. And it also takes a willingness on my part to keep pushing forward, even when I know a story is “bad.”
But if you’re drawn toward NaNoWriMo, then I believe what you have is an urge to write. It doesn’t have to be a novel. Perhaps it shouldn’t be a novel. Perhaps it should be fifty different versions of the prologue to the novel you will eventually write. The point of NaNoWriMo is to accomplish something, to get something down that bears a part of who you are. Isn’t that what we’re all striving for when we want to write a novel? So maybe, if you’re struggling this NaNoWriMo, you should push the novel aside for a while and write something else. Get it down, whatever it is. Just write. Put yourself out there. And win.
Happy writing, my friends.

Relevant/interesting links

NaNoWriMo website: https://nanowrimo.org/
15 Online Tools to Help Get You Through NaNoWriMo: https://www.wisestamp.com/blog/15-online-tools-for-nanowrimo/
5 Types of NaNoWriMo Participants and the Tools You Need: http://thewritepractice.com/nanowrimo-tools/
Please share!