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Anthology News News

The Submission Period for 2020’s DECEPTION! Anthology NOW OPEN!

THE SUBMISSION PERIOD CLOSED AS OF MAY 2, 2019—STAY TUNED FOR FUTURE OPPORTUNITIES TO SUBMIT YOUR WORK!

Below is the process for the submission for your own viewing, as the process will be similar for future submission periods.

Writing Bloc is taking short story submissions NOW!

Writing Bloc’s annual short story anthology is taking off with its second edition, and we’re looking for amazing stories incorporating the theme of “deception” in five thousand words or fewer. The submission period is open now through May 1st, 2019. Announcement of the accepted stories will take place on May 31st, 2019. The non-refundable submission fee is $10 (US) for all writers. To submit your story, use the link below to sign the acknowledgment of the Submission Guidelines and use the other link to pay the submission fee. Once both are received, you will receive a confirmation email within 48 hours. All major questions are answered within the guidelines, so please read them in full prior to submitting.

Additional questions? Ask us in the comments section below.

To Apply:

  1. Fill out the submission form below and submit it with your attachment of your story. (Microsoft Word documents preferred.) Your story should be no longer than 5000 words in length, utilize the theme “DECEPTION” in some way, and have your name and contact information on the front page. You will get a confirmation message when your form has been submitted successfully.
  2. Return to this page and click below to pay the $10 submission fee. Billing information will be kept private and will only be used for the purposes of validating the payment. You will also receive a confirmation message when your payment has been processed successfully.
  3. You will receive an email to the address you provided within 48 hours to confirm that we received both your submission packet and your payment.

Submission form and acknowledgment of official guidelines CLICK HERE: using the form located at (link expired).

Then click below to pay the submission fee:

More about Writing Bloc’s anthology series:

On January 1, 2019, Writing Bloc published its first short story anthology, comprised of stories from twenty authors. Writers were given a theme – Escape! – and each submitted a story centered around the theme. The result? An inspiring collection of western, sci-fi, fantasy, and genre-bending stories that demonstrate how vastly different the imaginations of 20 authors can be. You may check out ESCAPE! on Amazon by clicking here.

Cover for Escape! An Anthology by The Writing Bloc

The publishing process was entirely cooperative, as authors banded together to critique and edit each other’s stories. Everyone involved worked diligently to improve their own craft, as well as provide constructive feedback that spurred the growth of their fellow authors. It is this cooperative editing and publishing process that Writing Bloc would like to build on as we work on expanding our collection.

If you have a short story you would like us to consider for submission in our next anthology, we would love to hear from you. Submissions for Deception! A Writing Bloc Anthology are due midnight PST on May 1st, 2019.

The anthology will be published both in e-book format and in print in January 2020 (subject to change).

Contributors will be offered the opportunity to order print copies at wholesale prices, which they can then resell at retail value for profit. Please review the full publishing guidelines carefully before submitting your short story. This is a cooperative short story anthology, and authors will be expected to critique and edit a group of 3-5 stories other than their own. Only those who are willing to participate in this collaborative process will be considered.

Writing Bloc will be accepting short stories, each related to the theme Deception. The number of short stories will depend on the final editorial staff decision. Though the last anthology consisted of 20 stories, the DECEPTION! Anthology could be any number of stories. If your story is not accepted into this year’s anthology, we encourage you to try again in the future and to request to join our Facebook page and/or Our Newsletter for more collaborative opportunities.

To submit a short story, follow the directions above.

-The Writing Bloc Team (Michael, Becca, Robert, Chris, Jacqui, and Cari)


Public copy of official guidelines:

I. Who

A. Writing Bloc Indie Publishing Team is publishing a cooperatively-produced anthology of short stories to be released in January of 2020. Contributing authors will have the opportunity to be involved in production, promotion, marketing, and distribution of the finished work. The cooperative nature of the project is intended to be a group effort with tasks assigned and managed by the Heads of Writing Bloc.

II. What

A. The stories to be published in this edition of the anthology are to use the theme of “DECEPTION!” in some manner. There is open interpretation to the theme, and the theme is open genre. For a reference, you may look to our last published anthology titled “ESCAPE!” available on most digital formats and also available through physical formats via Amazon, but a link to download the book in both .epub and .mobi formats will be provided upon receipt of the submission fee.

B. Stories submitted should be no more than 5,000 words in length, and an original work of fictional prose. The target audience is adult, and there is no restriction on language or content, aside from the requirements in II.C:

C. Content Guidelines:

No hate speech (language or action that promotes or encourages racism, sexism, homophobia, transphobia, religious discrimination, ableism, or ageism).

Though sex can be a part of the story, it should not be explicit or the central action of the story. Stories may not glorify or normalize sexual assault or any non-consensual sexual acts. Any questions regarding what would be acceptable can be directed in an email to sub[email protected]

D. A story can be removed from the anthology at any time during the production process at the discretion of the Heads. Any cause for story removal will be discussed prior to any action taken and reasonable efforts will be made to resolve the issue prior to removal.  

III. Where

A. Stories should be submitted using the form located at (link expired) between now and May 1st, 2019, at which point the selection process for inclusion will begin. If there are any questions about the story and its acceptability as far as content guidelines stated above are concerned, please contact [email protected], but expect at least 5 business days for a response. No one will receive any indication that their story will be accepted into the anthology prior to May 31st, 2019, and no story will be considered without the submission fee paid in full.

B. The process of editing and a schedule for design and publication will be established after the selection process. This schedule will be determined after May 31st, 2019.

C. Any collaboration or discussion of stories with other members of the Writing Bloc on the group Facebook page is encouraged, but copyright ownership of each final story will remain with the individual author and plagiarism will not be tolerated.

IV. When

A. All stories to be considered should be submitted using the form located at (LINK EXPIRED) starting now but no later than midnight PST May 1st, 2019.

B. The anthology is planned to be published in January of 2020 in both ebook and paperback formats.The schedule may be adjusted to accommodate unforeseen problems related to writing, publishing, or distribution. Contributing authors will be notified of changes to the planned schedule ahead of time through the valid email address they provide through the submission process.

V. How

A. The anthology at this time is to be published by Writing Bloc Indie Publishing Team. The book will be available for all major e-readers and available to purchase as a paperback through Amazon. Cost of the end product will be determined at time of publication, and prices are subject to change at the discretion of the Heads.

B. All marketing and publicity is the responsibility of the authors being published within the cooperative. Basic marketing efforts will be made through Writing Bloc’s website (writingbloc.com), Twitter (@Writing_Bloc), and Facebook (facebook.com/writingbloc), and Writing Bloc Indie Publishing Team will direct efforts to market the final product.

C. Each selected author will receive a feature and short interview to be published on the above stated outlets in section V.B of these guidelines.

D. The submission fees and profits from sales of the anthology will be collected into a single account to be maintained by Writing Bloc Indie Publishing Team. The balance in the account will be used to pay all costs associated with publication first. Any remaining balance will be used to offset any management costs of the organization. Contributing authors can purchase printed copies of the anthology for their own distribution and profit. Any profit from physical copies sold directly by the authors are theirs to keep. Opportunities to purchase paperbacks at lower cost than the general public will be presented after publication.

VI. Why

A. The goal of the cooperative press is to have direct control over publication efforts and distribution, and all authors involved are expected to contribute in some way to the success of the publication. While there is no specific guideline for minimum contribution to the success of the publication, exerting no effort toward marketing or success of the published anthology is not in the spirit of the publication, and therefore might affect involvement in future publications. Enthusiastic and cooperative participation in this anthology may influence acceptance of future manuscripts for publication with the cooperative. Enthusiastic and cooperative participation may include helpful and supportive communication within the group Facebook page, assistance with marketing, distribution, project management, finance, and editing as requested by the Heads of these teams, or voluntary financial contribution not to exceed $100.

B. This is not a project with the expectation of high profit. This publication is collaboration-minded with the idea to cooperatively increase exposure and marketing efforts for all authors involved.

C. For this current run with the theme “DECEPTION,” there is a basic non-refundable $10.00 (US) submission fee. This cost is intended to offset the time and effort required to give each and every submission proper attention. For the submission fee of $10.00 (US), the author submitting will have their story considered for inclusion in the DECEPTION! anthology, a place in the closed Facebook community page (subject to obedience of established rules and regulations within that community), and a link to download free ebook copies of the previous ESCAPE! anthology.

D. All authors retain the rights to their work and may publish them elsewhere or use them for other publications and submissions.

E. No profits are to be distributed to any authors at this time. All monies made for the anthology will be pooled into the creation of subsequent publications in hopes of offsetting all costs and creating greater marketing and distribution for subsequent runs.

F. Every effort will be made to market each individual author equally, including access to place their other works into the store on writingbloc.com for extra exposure.

VII. Statement of Inclusion and Diversity

A. Writing Bloc Indie Publishing Team does not exclude any writers for any reason. We encourage writers from all walks of life to reach out and become a part of our community and/or our anthology.

B. The deciding process for inclusion in this anthology is based upon a blind read of all works by our editors. Final decisions will be made purely based upon writing quality, creativity, and inclusion of the theme. There will be no knowledge of the author when making final selections for the anthology. The author’s name will be replaced with a random number prior to assessment by the editorial team.

C. Writing Bloc Indie Publishing Team strives to create opportunities for every writer, regardless of cultural background, skin color, sexual orientation, disability either visible and invisible, religion, spirituality, and/or state of health. We focus on helping all writers embrace and expand upon their passion and their abilities. We insist upon an open culture of equality in all of our dealings and want all writers to feel free and safe to bring their authentic, complete selves to our organization.

D. Should any author or member of Writing Bloc decide to behave with a lack of tolerance or respect for the culture of Inclusion and Diversity we strive to maintain, that author will be met with removal from any contract or publication in process as well as removal from all public groups associated with Writing Bloc. We have a zero tolerance policy on hate speech, both within and outside of the Writing Bloc organization.

E. Our privacy policy is openly visible at writingbloc.com/privacy-policy/

F. Any and all questions regarding Inclusion and Diversity at Writing Bloc may be presented to [email protected]

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Anthology News News

Meet the Authors Behind Writing Bloc’s Escape! An Anthology

Cover for Escape! An Anthology by The Writing Bloc

Writing Bloc’s Escape! An Anthology is available for preorder now for your favorite ebook format (the Kindle link is separate, just click here)! The ebook is only $2.99 during this preorder phase, which is a steal for all of the stories you get from the amazing authors below. On New Year’s Day, the price goes up to $5.99, so grab your ebook today! Be sure to check out all of the author bios below, visit their sites, preorder Escape! An Anthology, and get the book to download automatically to your e-reader on New Year’s Day! Keep your eye out for the upcoming announcement about the print version…details coming soon!

For now, cheers to all these wonderful authors for their contributions to this amazing collection of short stories!

Jason Pomerance, Author of “Mrs. Ravenstein”

Photo Credit: Steven Murashige

Jason Pomerance has written film and television projects for numerous studios and production companies, including Warner Brothers, Columbia Pictures, FremantleMedia, and Gold Circle Films. His first novel, Women Like Us, published by the Quill imprint of Inkshares, debuted in 2016, and his novella Falconer was published in four parts on Nikki Finke’s site for showbiz fiction, Hollywood Dementia. He’s currently working on a new novel. Visit Jason at www.jasonpomerance.com, or on Instagram (@whowantsdinner), and Twitter (@whowantsdinner — and yes, Jason is always hungry!).

Jason’s “Women Like Us” on Facebook: https://www.facebook.com/womenlikeusnovel/

Buy Women Like Us in our store!

Susan Hamilton, Author of “Chrysalis”

Photo Credit: Dean Cerrati Photography

Susan K. Hamilton is the author of Shadow King, Darkstar Rising, and the forthcoming The Devil Inside. She lives outside of Boston with her husband, Jeff, and their cat, Rio. An avid equestrian, when she’s not tapping away at a computer, chances are you’ll find her at the barn. She loves fun movies, pizza, and pretty much any furry creature on the planet, and is currently working on a new, follow-up project to Shadow King.

Susan Hamilton on Twitter: https://twitter.com/RealSKHamilton

Susan Hamilton on Facebook: https://www.facebook.com/hamiltonsusank/

Michael Haase, Author of “Cedric”

Photo Credit: Margaret Haase

Michael Haase is the author of the forthcoming book, The Man Who Stole the World, to be published by Inkshares. Michael is a happy husband, father, musician, and spontaneous comedian who does nerdy stuff like study computer programming in his spare time. He lives intentionally near Cleveland, believe it or not

Michael Haase on Twitter: https://twitter.com/authormikehaase

Michael Haase on Facebook: https://www.facebook.com/AuthorMichaelHaase/

Michael’s blog: https://talltalestold.com/

 

 

Peter Ryan, Author of “The Time Behind Dying”

Photo Credit: Neil Cole

Peter Ryan is a sci-fi lover, motorbike rider, darts player, and T-shirt designer, as well as being an English professor at a university in South Korea. He grew up in Perth, Western Australia, and has traveled much of the world. While on the move, he has done a variety of jobs, including sales support at an insurance company, laborer on the building sites of London and Melbourne, chauffeur/minder for an English lord, and business English consultant in Shanghai.

Peter Ryan on Twitter: https://twitter.com/SyncCityJack

Peter Ryan’s website: http://www.synccityjack.com/

Buy Sync City in our store!

 

Deborah Munro, Author of “Ambition”

Deborah Munro is a scientist and biomedical engineer from Oregon who recently expatriated to New Zealand. She is passionate about writing, especially hard science thrillers that engage readers on current issues.

Deborah Munro on Twitter: https://twitter.com/DebMunro_Author

Deborah Munro on Facebook: https://www.facebook.com/DeborahMunro.Author/

 

Durena Burns, Author of “I Wish It Happened”

Durena Burns currently lives in Southern California and has worked for special education in elementary. She mostly writes biographical stories about her family. Her first published book ‘Call Me Whitehead’ is about her late uncle’s experiences as a black man in the Vietnam War.

Durena’s “Call Me Whitehead” on Facebook: https://www.facebook.com/CallMeWhitehead/

Ferd Crôtte, Author of “Captiveedom”

Ferd Crôtte is an Internal Medicine hospitalist physician and is the author of ‘Captiveedom’ in this anthology. His debut novel, Mission 51, is currently in production by Inkshares. Ferd and his wife Gail live in Winston-Salem, North Carolina.

Ferd Crôtte on Twitter: https://twitter.com/FerdCrotte

Ferd Crôtte on Facebook: https://www.facebook.com/FerdCrotteMission51/?ref=br_rs

Christopher Lee, Author of “The Gilded Tower”

Photo Credit: Stacey Eichenauer

Christopher Lee is the independent author of Nemeton and Bard Song. Outside of his gig as an author, he is an avid history buff, amateur mythologist, bardic poet, Holistic Life Coach, Reiki Master/Teacher, Mindfulness Practitioner, and keeper of the old ways.

Christopher lives in Denver, Colorado with his wife and two cats.

Christopher Lee on Twitter: https://twitter.com/ChristLeeEich

Buy Nemeton: The Trial of Calas in our store!

Mike Donald, Author of “Something In Mind”

Mike worked for the BBC as a sound mixer, wrote for comedy sketch shows, and developed sit-com ideas. Brought up in Scotland and England, he worked as a script analyst for gap finance company Aramid Capital, and has written many award-winning screenplays.

Mike Donald on Twitter: https://twitter.com/smokingkeys

Mike Donald’s website: http://www.touchwoodpictures.com/

Buy Louisiana Blood in our store!

 

Christopher Hinkle, Author of “Cowboy For A Day”

Born in the backwoods of West Virginia, Chris Hinkle is a country boy down to his molecular structure. He now lives in New Zealand where he works for the Government and puts forth a reasonable effort at masking his inner-hick for the benefit of those around him.

Christopher Hinkle on Facebook: https://www.facebook.com/christopherhenckel

 

 

Evan Graham, Author of “Breach”

Photo Credit: Plain Jane Photography

Evan Graham is the author of upcoming science fiction thrillers Tantalus Depths and Proteus. He has a Bachelor’s degree in Education Studies from Kent State University, where he triple-minored in English, Writing, and Theatre. He currently lives in rural Middlefield, Ohio and is extensively involved in local community theatre, both on the stage and behind the scenes.

Evan Graham on Facebook: https://www.facebook.com/AuthorEvanGraham/

Tahani Nelson, Author of “The Faoii Of Ashwood”

Tahani Nelson is a Writer, Teacher and Nerd in rural Montana. Her debut series, The Faoii Chronicles focuses on strong female warriors in epic fantasy.

Tahani Nelson on Twitter: https://twitter.com/TahaniNelson

Tahani’s “The Last Faoii” on Facebook: https://www.facebook.com/TheLastFaoii/

Buy The Last Faoii in our store!

 

 

Michael James Welch, Author of “Convict 45”

Photo Credit: Annette Sargent

Michael James Welch is a proud Western New Yorker, an even prouder snowflake, and above all, husband and father to a wonderful family. His first novel, PrOOF, will be published by Inkshares in 2019-20. He feasts on your derision and bathes nightly in your disdain.

Michael James Welch on Twitter: https://twitter.com/mikexwelch

 

Cari Dubiel, Author of “Art Imitates”

Photo Credit: Ed Dubiel

Cari Dubiel juggles writing, librarian-ing, mom-ing, and bassooning in Northeast Ohio. Her novel, How to Remember, is in production with Inkshares. She is a past Library Liaison to Sisters in Crime and the co-host of the ABC Book Reviews Podcast.

Cari Dubiel on Twitter: https://twitter.com/caridubiel

Cari Dubiel on Facebook: https://www.facebook.com/caridubielauthor/

Becca Spence Dobias, Author of “Aspirant”

Photo Credit: Linda Abbott Photography

Becca Spence Dobias grew up in West Virginia and now lives in Southern California where she writes hard and moms harder. Her debut novel, Rock of Ages, is in production with Inkshares.

Becca Spence Dobias on Twitter: https://twitter.com/totallynotbex

Becca Spence Dobias on Facebook: https://www.facebook.com/BeccaSpenceDobias/

 

 

 

 

Grace Marshall, Author of “The Marking”

Grace Marshall is an author, mother, and TV enthusiast. She writes technical documentation as her primary profession but has also been known to post randomly on her site escapeoftheinnermonlogue.com.

 

 

 

 

 

 

Daniel Lee, Author of “A Grave Ordeal”

Photo Credit: Megan Annis

Daniel Lee is the author of the novel AFTER DEATH, which won First Place in the Nerdist Sci-Fi Contest and is forthcoming from Inkshares. He lives in Los Angeles, where he makes his living as an editor of movie trailers. See more of his work at Dan-Lee.net

Daniel Lee on Twitter: https://twitter.com/dannyboylee

Patrick Edwards, Author of “Wendell, Wendell, & Wendell”

When he’s not busy mushing words into silly stories, Pat spends his time battling inter-dimensional shadow monsters and having tea parties with his two daughters. His debut novel, Space Tripping, is currently available wherever books are sold. Check him out on Twitter @ThePatEdwards

Buy Space Tripping in our store!

 

 

Kendra Namednil, Author of “Catching”

Photo Credit: Arthur Koch

Kendra Namednil was born in Northern California and began writing when she was 26, publishing her first full novel at 30. She has volunteered for many organizations, though her greatest joy was working with behavior-plan dogs with the San Francisco Society for the Prevention of Cruelty to Animals.

Kendra Namednil on Twitter: https://twitter.com/Kendra1337

Buy Borehole Bazaar (A Vow Unbroken) in our store!

Jason Chestnut, Author of “Like Clockwork”

When not working on computers to pay the bills, Jason Chestnut is a writer, musician, avid reader, and gamer. He lives in Asheville, North Carolina with his wife Shannon, their two kids and lazy pug.

Follow Jason Chestnut on Twitter: @atomicboywonder

 

 

 

 

Don’t forget to preorder “Escape!” NOW!

Price goes up to $5.99 on New Year’s Day, so preorder your copy NOW for 50% off!

Just click here for Amazon or here for all other ebook readers. Only $2.99 for the ebook!

Thank you for your support!!!

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Anthology News News Writing Life

ESCAPE! Cover reveal and ARC giveaway!

Here at The Writing Bloc we have big plans, starting with an Anthology we are releasing in the New Year. On 1 January 2019 we are publishing Escape! An Anthology featuring twenty diverse stories by a great cohort of writers.

“As readers, we open books ready to be swept out of our seats and deposited in a world entirely new and exciting. Reading is an escape from our normal lives and thoughts,” says Michael Haase, founder of Writing Bloc.

Inside the book, you can expect contemporary fiction, westerns, science fiction, fantasy, paranormal fiction, as well as genre-bending tales. We have stories by published authors such as Tahani Nelson, author of The Last Faoii, Jason Pomerance, author of Women Like Us, and Patrick Edwards, author of Space Tripping. We also have stories from a number of talented emerging writers who you’ll want to get to know. You can read the full press release here.

Today, I’m excited to reveal our cover!

Cover for Escape! An Anthology by The Writing Bloc

ARC Giveaway

Would you like to receive one of 100 free advanced reader copies we’re giving away? You can sign up on this form here.

 

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Writing Life

Blurring the Lines Between Traditional Publishing and Self-Publishing

Traditional publishing vs. Self-publishing: What is the real difference?

I spoke recently on a panel on “The Art of Publishing” alongside a self-published author, an author with books both traditionally and self-published, the editor of a weekly newspaper, and the owner of a small press. More than anything, this conversation led me to consider the labels we use when discussing different means of publication. A vast amount of information is available on “ traditional publishing vs. self-publishing. ” You can consider the pros and cons of each, their histories, statistics, and anything else you could possibly want to know to help you decide which road to go down. I certainly imagined myself standing at a forked path with manuscript in hand while I was obsessively pouring over those sites.

What these blogs and Facebook posts don’t convey is that these are not the only two publishing routes that exist, and that increasingly, the other options are blurring the boundaries between what seemed like two distinct choices.

Traditional publishing used to just be “publishing.” There were a limited number of people in the world who had access to the physical resources needed to print and distribute a book. If you wanted to publish your writing, they acted as the gatekeepers. Of course, people have hand-written and distributed writing for a long time, but publishing houses, with Richard Hoe’s patent of the first rotary press in 1846, could circulate paperbacks, introduced to the United States only one year earlier, widely.

Technology– accessible word processors, printers, computers, the Internet—made it possible for a vast number of people to create, replicate, and distribute their work on a broad scale. The self-publishing/ traditional publishing dichotomy was born. Large publishers were no longer required in order to access these tools, and their role changed to that of a content filter and voucher. They came to be seen as quality control—a way to sort through the enormous sea of work that was now available around the world.

But there is more good work out there than the Big Five publishers can publish. Small publishers began challenging that monopoly and filling some of that gap. Even with the numerous small presses that now exist, there is still more great writing, and potentially great writing, than they can manage. Publication sometimes relies on politics—who you know, how much money and access you already have, etc., as a filter because publishers are humans and humans can only read, edit, design, market, and distribute so much. But anyone has access to these tools. People can publish their work themselves. And a lot of it is good! What challenges outdated ideas about the connection between publishing and quality even further is that increasingly folks are choosing to publish their work independently not as a compromise or act of settling, but intentionally. There are a number of reasons some prefer to publish books themselves, including viewing it as a middle finger to the politics and gatekeeping of traditional publishing.

So publishing is no longer necessarily about who can physically publish and distribute a book. And it’s no longer necessarily an indicator of quality. Where does that leave us?

With choices! Here we are again at that fork– You can pursue traditional publishing with a large house or small press or you can publish your book yourself. But there are choices now that blur the line between these two. My first novel, Rock of Ages, is in production with Inkshares, a crowdfunding platform for books. In this model, authors who secure 750 preorders within a set timeframe receive publishing services from the company including cover design, developmental and copyediting, marketing and distribution. Crowdfunding puts the key to that golden gate in the hands of authors. Instead of standing like a sentinel in front of the opening, platforms like Inkshares step aside and ask “Can you reach high enough to unlock the gate yourself?”

The new venture Writing Bloc is taking on, the cooperative publishing model taking that a step further. We’re working as a team to write, edit, design, market, and distribute our own work. Like self-publishing, we’re eschewing the need for someone to do it all for us. Instead, we’re utilizing the expertise and work ethic of our group as a unit to publish our own quality content. We are taking ownership of the gate and everything inside. But at what point does this kind of venture become more like traditional publishing than self-publishing? After all, we are developing contracts, establishing content guidelines, and hopefully will eventually be distributing royalties. As Robert Batten writes, “publishers are people.” Batten is emphasizing that in order to get in with the company, The Entity, you must first win over the people who make up that entity, but remembering that publishers are people also challenges their hegemonic power.  Publishing houses are not gods. They no longer have a monopoly on resources and they’ve never had a monopoly on quality. They are groups of people who remain the gatekeepers simply because they’ve appointed themselves such and we’ve continued to go along with it.  So does it matter when we cross that line when the line is increasingly arbitrary?

What it boils down to is that the labels are becoming irrelevant. I made a comment on the panel that had all of the participants nodding. One of the amazing advantages of having access to many means of publishing means that you don’t have to write to a target audience if you don’t want to. You can write the book that you want to write—the story that needs to be written—and then find your target audience. When you put your book out into the world you want editing, design, marketing, and the validation that comes from people enjoying your work. Increasingly, those are at our fingertips in a number of innovative configurations. You may not have an audience of tens of thousands. But amongst the billions of people in the world, you probably have an audience of at least hundreds. What is important is creating exceptional books and getting them into the hands of people who will find meaning and value in them, however, we do that.

 

 

 

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